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I Kept It Safe'I Kept it Safe' is responding to the disorientation of migration the experience of building a life that is not home. When I moved to London, distance became something physical: a language to relearn, a culture to navigate. The work grew from intimate conversations with others who had also left home. The outcome is a layered textile piece inspired by comfort discomfort, softness weight, protection exposure. The analogue lies in the process and subject

the bubbles appear to pause mid-fragmentation

Miss Szembek is depicted on the top of rocks in victory pose

Organic forms and cut-outs reference the lunar phases

Using Brazilian clay foraged from the countryside of Sao Paulo

and the unknown

latching onto hard surfaces such as rocks

it asks you to create a cohesive narrative from the imperfect and contradictory layers

a collection of Greek writings

‘They told me it was out there’ traces the lingering remnants of Cheapside’s history as a site of exchange

document & take heart from

Through dense cut-pile textiles

said to have healing powers