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The Dénia series: The Town IThe paintings in Miguels ongoing Dnia series are based on the sights, textures & sensory input of the town in Eastern Spain where Miguel spent many Summer months with his family as a child & adolescent. The series is based entirely on physical & emotional memory rather than any actual imagery or physical mementos. Technically, the initial ideas for the series developed into an abstract, strongly geometric language executed with heavy oil impasto mixed

to dispense mint imperials for dinner guests to extract

How we feel and how we connect with others

Depicting indigenous hybrid fauna from England & Australia - set amidst deconstructed motifs of a late British Monarch - the work heralds new

cultural traces overlap

and re-asserted

visually anonymised

The work now feels like a quiet dialogue between memory

This is a reimagining of a lesser-known fairytale

This was inspired by overhearing two older gentlemen on a train talk about their childhood and reminisce excitedly that they both used to burn ants - not quite grasping in their adulthood the cruelty of the act but rather the fondness of the time it was connected to

in shaping policy within the UK’s financial centre — a country whose largest export is financial services

Leticia tells the story of a mother who gives her child the right to dream

the artist challenges traditional portraiture by likening women to celestial forms

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