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Silvia Rosi – ProtektoratThe Italian Togolese artist Silvia Rosi (*1992) explores post colonial themes such as migration, identity and collective memory from a diasporic perspective in an interplay of staged photography, video, performative elements and edited archive material. In Protektorat (20222024), Rosi sheds light on the complex history of language under colonial occupation in Togo. Based on archive material from the Togolese National Archives in Lom, she thematises

Julian Irlinger develops a method of pointing that emphasises the dialectic of images

Forest Mind is the result of a series of territorial engagements through video-making

in the same book

it also demonstrates not only how the police documented artistic actions in detail using forensic techniques but also how they manipulated them and sought to thwart them with counter-actions

and from a diametrically opposed angle on the back

hoping for a miracle to break the silence

photographer Masao Yamamoto began his art studies as an oil painter

Between 1991 and 1992

she became involved in the feminist and anti-nuclear movements

Through collaborative and consultative processes with local people

Live Simulations is the first monograph to visualize Cheng’s artistic practice and make its principles tangible in book form

the acclaimed American writer and poet

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