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Fecund Grayling Pink NymphOriginally made for artist run dinner 'The Amber Room' at Matts Gallery, to dispense mint imperials for dinner guests to extract. Based on the idea of a colony of oysters, purged by guests for their precious interiors, the pearls have been replaced by the aptly named mint imperial. The craggy, weed supporting, grotesque centrepiece stands in resistance to imperialism in all its hard and soft forms its inhabitants thriving in opposition to hostile

Beneath the body

I wanted a feeling of romanticism

giving it a primal yet otherworldly presence

Building on this earlier work

the composition doesn’t explain itself

Embracing the impermanence of beauty

her imagery reflects the evolving journey of womanhood

raising questions about how we disseminate information and knowledge

its role in recording and revealing traces of human interventions preserved in the land such as agricultural patchworks

The three recurring figures of the mother

Scarlett is intrigued by the entangled nature of garments themselves

This process isn't only about crafting sculptures