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Pink Cloud IVGrace is a fine artist whose work explores addiction, recovery, place and memory through an analogue, intuition led approach. Beginning with fragments taken from a decaying wall outside her first Alcoholics Anonymous meeting, she uses abstraction to both conceal and suggest personal narratives. Thin, layered applications of oil paint mirror lost time, faded recollections and the instability of memory, creating surfaces where colours blur, shift and

an ancient horse

a puddle hangs over pipe-work as if drying

Part of the broader UNFOLD series

Nothing here is pixel-based or rendered by machine

He once seemed to stand like stone

The loose brush strokes emphasise the fragility of the human body - depicting the weakened muscles and joints of the stooped figure sat in his chair

I researched Sami traditions at the Ajtte Museum

Veins of Life expands on my ongoing interest in nature’s communication systems

The painting is inspired by the myth of Hou Yi

flashing accents of colour

As late-stage capitalism plods on and the climate steadily disintegrates

nurturing and requiring care—this piece explores the space between aggressive façades and passive collapse