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Michael Blaser / RaumordnungMichael Blasers artistic concerns centre on the unspectacular, the trivial, the familiar and the oftentimes overlooked. Raised in the agglo meration, he examines the peculiarities of the urban periphery. The artist confronts us with a Switzerland of mediocrity that oscillates between urban identity and pro vincial character, nature and urban sprawl, public and private space. Michael Blasers photographs can be considered both land scape and

wall cracks

these inquiries highlight the representation of bodily fluids as a central element

organized by Be-Part: platform for contemporary art

eventually

even if from a small Belgian village

the Belgium-based photographer’s latest page-turner features a series of reproduced photographs taken from ’70s and ’80s porn magazines

Through people she met on a journey through the United States

creating ‘collections’ in the form of three-dimensional installations and photo books

understood as ways of organizing subjects in their surroundings

One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama

A step further was to somehow dismiss the awareness of the approach

For Volume 1

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