Carlos Schwabe — Spleen and the Ideal | Symbolist Fine Art Print

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Carlos Schwabe — Spleen and the Ideal | Symbolist Fine Art PrintCarlos Schwabe (18661926) was a German Swiss Symbolist painter and illustrator who became one of the defining visual voices of the Rose+Croix movement creating the iconic poster for the first Salon de la Rose+Croix in 1892 and producing illustrations for Maeterlinck, Zola, and Baudelaire. His imagery angelic figures, mystical allegories, botanical symbolism is among the most refined and spiritually ambitious in the Symbolist canon. His illustration

Between 1830 and 1836 he painted over 600 portraits and tribal scenes among more than 50 nations — an irreplaceable ethnographic and artistic record of cultures already being destroyed by westward expansion

This work belongs to Japan's deep tradition of visual art — a lineage running from the Heian court through the Edo woodblock masters to the Shin Hanga revival of the 20th century

His 1909 exhibition at the Hispanic Society of New York drew nearly 160

and the infinite suggestion of blue

A great calligraphic work is judged on the quality of its brushwork

Itō Jakuchū (1716–1800) was one of the most individual painters of 18th-century Japan — a self-taught eccentric whose Colorful Realm of Living Beings series (30 silk scrolls

and impermanence into a single composed image

William Stanley Haseltine (1835–1900) was an American landscape painter associated with the Hudson River School and the Luminist tradition

hand-made to order

fortifications

drawing on Expressionism

crows — combine the luminous depth of lacquer surfaces with a painterly spontaneity that no Western medium can quite reproduce

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