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#307 March – April 2016Shanghai was hailed as Chinas gateway, engine room and icon of modernity. The Japanese invasion and the rise to power of the Communist Party, characterized by a cultural vision rooted in rural peasantry, reduced cosmopolitan Shanghai of the 1920s and 30s to the state of an inert sleeping beauty. Then, in the wake of late twentieth century Chinas reform and opening up, Shanghai was restructured as an outpost for Chinas development, and consequently

A visual essay by Armarture Globale with texts by Fred Fischli and Niels Olsen ◯ The Museum Paradigm or The Ethos of Museums by Pascale Krief ◯ I WANT YOU TO SHOW ME (BAGLIO ANTICO MIX)

Robert Walser’s Looking at Pictures by New Directions

Beijing/São Paulo

Following the death of Italian novelist

Vija Celmins at Secession

Naeem Mohaiemen

A Conversation with Akeem Smith by Andrea Bellini ◯ SPECIAL SECTION: Crypto Art's New Ecology: Crypto Art’s Sustainable Trajectory

Lito Kattou at Point Centre for Contemporary Art

ebbs and flows of tracked values and signature styles

Hu Xiaoyuan at Beijing Commune

– Teresa MacrìAlessio Bolzoni’s artistic research has always given focus to humankind and its limits

in a rhizomatic way

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