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WIRE #468 Feb 2023 MAGInside this issue: Meredith Monk: In the wake of a career spanning box set the multidisciplinary artist discusses a lifetime of connection and communication. By Emily Bick. Barbara Dane: The US folk blues jazz musician and activist details eight decades of anticapitalist agitation in a new memoir. By Emily Pothast. Ocen James: The Ugandan Acholi fiddler talks electronic collaborations and riotous wedding jams. By Daniel Spicer. Invisible Jukebox: aya:

violence and drug use have on the lives of individuals engaging in sex work

This record is a split release with Mayfly Records

and even their much later “Hialeah” EP from ‘96

A true DEAD MOON classic

He had also studied in the Berklee School of Music where he not only met and lived with the cream of an emerging new wave of musicians

it's pretty obvious when he plays it

For some reason I chose to record most of the guitar and bass parts "direct" without an amplifier- I'm not sure why I did that but it's a unique sound in retrospect

Kunimitsu Inaba (bass)

BILLY KARREN (aka BILLY BOREDOM) played guitar and KATHI WILCOX played bass

Cindy is the project of Karina Gill who was a music fan for a long time without ever thinking about picking up an instrument

but several popped up during and after the Wheels

rhythm section of legendary sludge and stoner rock pioneers

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