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Cavalry --- (ZEITGEIST series)To speak in symbols before the words arrive. The theatricalisation of international politics and schizophrenic media exposure push us adrift into hyperreal bubbles, where distortion is not error, but architecture. In an era of algorithmic hyperindividualism, Cavalry emerges as an absurdist totem of survival, paranoia, and post capitalistic mythology. It does not clarifyit distorts, amplifies, builds upon. It evolves the noise. At once tactical and

The body in this speculation is not a particular body

and reds emerge from shadowy terrain

Its jagged

There is a tension between the rawness of the construction and the fluidity of the lines—a physical drawing in three dimensions

‘Who U Lookin At' reflects on a recently closed shopping centre in east Belfast

refers to the dish I am eating — a traditional Peruvian stew and one of my favourite dishes as a child

The “kind” Lenin

When I immigrated to the UK

and emotional defense

whilst considering the role and hold the lottery has in culture particularly to working class people

This work arose out of Auguries of Innocence

this figure reflects past

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